Tag: Allu Arjun

Laapataa Ladies!

Although most people these days crave for ‘zara hatke‘ movies, the important criteria which clinches the deal is the title of the movie. Once I heard the title Laapaata Ladies, I wanted to watch it.  Kiran Rao has always been the director who interested me, but I never got to watching her other movie.  Interestingly, now is the time for the woman directors to shine.

So, lets see how Laapataa Ladies fares! (Laapataa loosely translates to Missing)

Released on : March 2024

Watched on : May 2024

Directed by : Kiran Rao

Starring : Mostly new faces…. except for Bhojpuri star Ravi Kishan. (He also acted in Telugu movie Race Gurram)

Review:

The movie starts with Deepak Kumar (Sparsh Srivastav) and Phool Kumari (Nitanshi Goel)’s bidaai. They board a train to the grooms village in the fictional Nirmal Pradesh. Incidentally, the train is filled with other newly married couples, where all the brides are in bridal finery, wearing the customary blood red saree with ghoonghat, covering up their faces from any prying eyes.

There is also a small scene here, where the grooms compare how much dowry they have been given and how rich the bride’s family is. They also judge that something must be wrong with Deepak because he got the least out of all the grooms in the compartment!

When the train reaches the main leads’ destination, Deepak Kumar inadvertently picks up another bride, one Mrs. Pushpa Rani, w/o Pankaj. They only find out the error, on reaching the far away village! Deepak is devastated. (The drawbacks of ghoonghat is apparent. The husband can’t recognise his wife, if there are many ladies in similar dress. Even the wife can’t see the husband clearly, to confirm that she really is following her husband around!)

Meanwhile Pushpa Kumari has a cell phone; sim card included,  in her possession. But why is she not reaching out to either her parents or her rich husband?  Is Pushpa her real name and is she really married to Pankaj as she claims?

Deepak Kumar visits the Police Station to file a complaint about the missing Phool Kumari and the arrival of Pushpa Rani in her place. But turns out the paan chewing, money minded SI Shyam Manohar (Ravi Kishan) is cleverer than he looks. He begins to doubt Pushpa Rani, may in-fact be Jaya w/o Pradeep Singh. (Pradeep Singh has already filed a complaint that his wife Jaya is missing at another Police Station.)

On the other end of the story is our soft spoken, baby faced, innocent, uneducated young bride Phool Kumari. She doesn’t remember the name of the village her new home is in! (Though she knows her own village, she doesn’t want to reach out to her parents. She fears that, her reaching out to her parents will shame them in the society! Society may taunt them for marrying their daughter to a fraud!) Luckily for her, she makes new friends at the train station. She begins working at a tea stall and ends up earning a little money too! The tea stall owner is a kind  old lady Manju Mai, who has harsh words for everyone, but is soft at heart.

As days pass by, SI is sure Pushpa Rani is Jaya and spies on her and finds her selling gold bangles and sending someone money through Money Orders. Is she a thief?

All the while, she has made herself many friends in Deepak’s house. It is apparent that Jaya a.k.a Pushpa is well educated and not a total bumpkin like Phool!

Even though Deepak wants to search around for his bride, all he has is a picture of her with him, with a ghoonghat covering her face. The incident when khan saab tells him that ghoonghat is not only covering Phool’s face but also her identity! All the while, Khan saab’s wife herself is in a burqa, which shows the sad state of women across the society. (The movie takes place in 2001)

All ends well, when Phool Kumari reaches Deepak after the missing person posters are printed.  Phool Kumari’s friends at the train station celebrate upon knowing that she reached her in laws home safely. Such a heart rending moment.

But what is the story of Jaya?  Why not watch the movie to find out?

I loved, loved and loved the main leads, Phool , Deepak, Jaya and the supporting role of Manju Mai and their acting. The best character, though, went to Ravi Kishan as the SI who rose to the occasion. He sets things straight between the chauvinistic egoistic dowry hungry Pradeep Singh and Jaya. I could totally guess what was going to happen, but the way Shyam Manohar handled Pradeep brought me immense satisfaction.

Laapataa ladies is an honest and beautiful movie and is worth watching for the director Kiran Rao’s ability to tell a story and for the actors who did their job perfectly.  This movie is of the  ‘not-to-be-missed’ kind!

Why not watch it over the weekend?

P.S:

  1. Of all the movies I love, Zoya Akhtar takes my top billing thanks to her Zindagi Na Milegi Dobara. Then comes Talvar by Meghna Gulzar tying with The Namesake by Mira Nair, followed by English Vinglish by Gauri Shinde, Mr. and Mrs. Iyer by Aparna Sen and commercial super hit Om Shanti Om by Farah Khan, lastly, Bareilly Ki Barfi by Ashwiny Iyer Tiwari.
    There may be better movies, I am yet to watch them.  Once I do that, I may change the list.
  2. I love the incident when Deepak meets a local politician to help find Phool. It brought some laughs.
  3. I also loved the subtle romance between Phool and Deepak. I am thankful that Kiran Rao selected the cast based on her story and not because they are big named stars!
  4. Actress Chhaya Kadam who played Manju Mai reminded me so much of aai, whom I was fortunate to meet in USA. She was sooooo relatable!
  5. I am on a movie spree. I have few more movies to watch and I will surely update as fast as I can.

Guntur Kaaram!

I am not a fan of Mahesh Babu. (Sorry fans!) I am more of a story centric viewer. I was not at all eager to watch Guntur Kaaram. Firstly, I didn’t know it was directed by Trivikram Srinivas, secondly, I didn’t particularly enjoy the trailer! In-spite of this, I watched Guntur Kaaram, because, we have a family friend A, who gave us free passes for the movie! (Fans do so much for their Stars!)

Without much ado, let me review the movie.

Review:

Directed by : Trivikram Srinivas

Released On : January 2024

Actors: Mahesh Babu, Sree Leela, Rao Ramesh, Prakash Raj, Murali Sharma, Jayaram and Jagapathi Babu.

The story starts with a fire accident and the ensuing fight causes Raghu Babu to kill Sunil by mistake. (Sunil in a brief cameo.) Incidentally, the fire also causes Ramana (Mahesh Babu, MB for short in this post) to lose sight in his left eye. (I am not exactly sure about it, but how can a person who is partially blind in an eye, not even show a little bit of discomfort in his fights or dances? That’s hero worship for you, where even the director is blinded by the hero and his fandom!)

The fire accident also causes a rift between both MB’s parents, where his father ends in jail and mom leaves her only child to marry another gentleman, Rao Ramesh. They have a son, Rahul Ravidran (another useless cameo!), who could have been replaced by a card board figure and no one would have known the difference, as such!

Jayaram, plays the father of MB, who does nothing but sit in his corner table and listen to situational songs. (Perfect example of casting an actor for a role without scope for acting. He hardly gets a scene to perform. I loved him in Ponniyin Selvan and even Ala Vaikuntapuramlo)

How would a child turn out if the father lives in his own world and a mom who leaves the child and never stays in touch? The child would have issues, with everyone and everything. That is the reason for MB’s temper issues. (Guntur Kaaram)

Ramya Krishna plays MB’s mom and she gets a scene or two, to show her prowess.

Anyway, Prakash Raj, plays maternal grandfather of MB. As you might have guessed he is the villain, who wants nothing but MB signing off his inheritance and the likes. His lawyer Murali Sharma is incharge of getting MB to sign. This somehow brings Vennela Kishore and Sree Leela into the picture, who are after MB to get him to sign.

That is where everything goes wrong for me. Which lawyer in the world would send his own daughter to pester a man, who is known all around to be Guntur Kaaram, known for his temper issues?  Why is there a need for so many cameos? Why did Jagapathi Babu even work in the movie? Why is there a character of cousin in the movie, called Raji? What is the significance? The only thing I could come up with is, Trivikram roped in one actor each from all his hit movies, to give Guntur Kaaram an extra push!

But…

Guntur Kaaram feels similar to Ala Vaikuntapuram.

Rahul Ravindran replacing Sushanth,

Ramya Krishna mirroring Tabu, (both living with their rich fathers)

Prakash Raj – villainous grandfather replacing the lovable grandpa Sachin Khedekar

Sree Leela replacing the dusky Pooja Hegde

Meenakshi Chaudhary and her counter part Nivetha Pethuraj

Mother sentiment in both the movies, even background score is similar to Ala Vaikuntapuram. Lack of creativity and imagination from director and music director is sad.

Trivikram even managed to rope in Eashwari Rao ( the nurse from Ala Vaikuntapuram. She plays MB’s aunt.)

Seasoned actors Prakash Raj, Ramya Krishna, Jayaram, Murali Sharma, Vennela Kishore performed well within the scope of their respective roles. MB never lit so many cigarettes in any movie ever! He has performed better in the dance numbers, probably not wanting to lose to Sree Leela! The movie is worth watching only for its seasoned actors and MB.

I am not a fan of the unnecessary dance performance by Sree Leela, in the godown! We all know she is a fabulous dancer, but the sequence is so out of place. I loved Ala Vaikuntapuramlo better, because, the hero worship was less apparent! (Atleast it had top notch acting from Murali Sharma, Sachin Khedekar and Allu Arjun, while the story was the main hero!)

P.S:

  1. It has its moments, but it is no ‘Athadu‘ or ‘Khaleja‘. It is just a forgettable Guntur Kaaram! (But fans may disagree with me.)
  2. I dozed off in the second half of the movie, that sums up everything for you.
  3. I know a hero needs to cater to his fans, but I was surprised by mass song MB performed at the end! It reminded the song, Ma Ma Mahesha from Sarkar Vari Pata. That is not all. The concept of the heroine approaching MB with ulterior motive is similar to what Keerthi Suresh did in Sarkar Vari Pata. Overall, Guntur Kaaram is a mash up of two hit movies but it still is a mediocre one time watch!
  4. If you are in a mood for a new movie, with fantastic visuals, goose bump moments and without cheap thrills, head straight to ‘Hanu-Man‘ and thank me later.

The ‘Pallu’ Holder!

*****Disclaimer: This was written way back in 2014 and I brought it out of the archives to post here*****

 

The pallu-holder that I was, my people believed I would pick up the nuances of household chores (or at the very least,cooking!) from my mom, which is far from truth.

I had always been very ignorant about anything worthwhile! (I enjoy talking more than listening, you see)

And last week when I decided to give mom a break from her cooking duties, I had a mini-test! (almost like an internal exam)

So after making rotis in shapes of all the continents and I ended up inventing a few shapes of my own. Say, wait a minute, may be I should apply for a patent for all those innovative shapes! Feeling proud…itni khushi! (The only dialogue I love of Bollywood hero Govinda is this, Itni Khushi, from Partner. I like simple dialogues the most. Just like Devvvvudaa from RaceGurram, a Telugu movie.)

But even though I make rotis in new shapes, I can’t replicate the same shape again! (Innovation is a talent you see..)

I ended the day with a happy face, you ask me why,…see the cartoon below.

Cooking is an important life skill, for survival. So both boys and girls need to learn the bare minimum. Men who cook for their spouses, now and then, will surely be appreciated.

P.S:

  1. Time and again I prove my cooking skills are as bad as a kindergarten kid’s. But who cares, as long as your family loves you for trying. I got a pat on the back, yippeee..! (Now my cooking is a little better, thanks to marriage and motherhood!)
  2. ‘Pallu’ holder is the term I coined to indicate all the kiddos in every family, who are closer to mom, a mama’s baby (As a kiddo,I always had my mom’s pallu in my hand. Hence the title). Younger kids in a family are generally closer to mom. I am a self-proclaimed ‘Pallu-holder’ and proudly so! (Now that I think about it, I am closer to dad too. We have always been a close knit nuclear family!)
  3. All younger kids are not pallu holders and all older kids are not closer to dad, exceptions always exist.
  4. Kids these days hardly get the chance of being a pallu holder, what with moms like me hardly wearing sarees except for special occasions like festivals.
  5. Pallu is the Hindi word for the loose end of the saree worn over the shoulder. (This little snippet is for the little audience that I have overseas!)

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